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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Intersections Canadian Journal of Music
Topic
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

519 results · 1 filter active ·
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20002023
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Categories
Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
519 works in the cohort · of 4,299,418page 8 of 11

Labels cover 1 of 519 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 519 of 519 works in this cohort. Predictions are machine_predicted_unvalidated teacher distillation outputs. Candidate is the union; consensus is the intersection.

venueno affunlabeled
Musiques et identités remixées
G. O. Cote
2017· article· fr· Intersections Canadian Journal of Music· Social Sciences
distilled prediction:candidate · sts+insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Lévi-Strauss, homme de sens et de paradoxe
Monique Desroches
2011· article· fr· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Introduction
Friedemann Sallis, Anne Sivuoja-Gunaratnam
2005· article· en· Intersections Canadian Journal of Music
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
Madness in Linda Bouchard’s Black Burned Wood
Kirsten Yri
2010· article· en· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
affvenueaboutunlabeled
Neglected Canadian Orchestral Music
Robin Elliott
2015· article· en· Intersections Canadian Journal of Music· Social Sciences
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Présentation des articles hors thème
2022· article· fr· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · sts+insufficient_payloadconsensus · none
0
citations
affvenueunlabeled
Jean-Jacques Nattiez, dir., avec la collaboration de Margaret Bent, Rossana Dalmonte et Mario Baroni. Musiques, une encyclopédie pour le XXI siècle. Volume 1, Musiques du XX siècle. Arles : Actes Sud; Paris: Cité de la Musique, 2003. v, 1492 p. ISBN 2-7427-4204-2 (couverture rigide)
Jean-Nicolas De Surmont
2005· article· fr· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+scholarly_communication+research_integrity+insufficient_payloadconsensus · none
0
citations
affvenueno abstractunlabeled
A Note from the Editors
James S. Wright, Alexis Luko
2010· article· en· Intersections Canadian Journal of Music· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Tom Johnson : le simple du village
Nicolas Darbon
2010· article· fr· Intersections Canadian Journal of Music· Social Sciences
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations

How this was built: Screen · Findings · About