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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Popular Music History
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Retraction
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

21 results · 1 filter active ·
Results by year
20042025
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
21 works in the cohort · of 4,299,418page 1 of 1

Labels cover 0 of 21 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 21 of 21 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affunlabeled
Conflict and collaboration
Eamonn Forde
2004· article· en· Popular Music History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
40
citations
aboutno affunlabeled
The heritage obsession
Philippe Le Guern
2017· article· en· Popular Music History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
4
citations
affunlabeled
‘Rock, roll and remember?’
Christopher L. McDonald
2004· article· en· Popular Music History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
affunlabeled
No two houses of the holy
Kathleen Pirrie Adams
2017· article· en· Popular Music History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
affunlabeled
Triumph of the maggots?
Hélène Laurin
2012· article· en· Popular Music History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
affunlabeled
A Question of Standards
Alan Stanbridge
2004· article· en· Popular Music History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
affunlabeled
National versus regional, many versus few
Phil Hardy
2009· article· en· Popular Music History· Business, Management and Accounting
machine prediction:candidate · noneconsensus · none
1
citations
aboutno affunlabeled
Making modern music
Andy Bennett
2019· article· en· Popular Music History· Social Sciences
machine prediction:candidate · noneconsensus · none
1
citations
affunlabeled
Is any press good press?
Maryn Edwards
2013· article· en· Popular Music History· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Resource Notes
Brock Silversides
2015· article· en· Popular Music History
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affunlabeled
A history of realistic rock rebellion
Lee Barron
2019· article· en· Popular Music History· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Alone Together
Luke Riedlinger
2024· article· en· Popular Music History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
‘A whisky for the fallen’
Colomba Nómez
2025· article· en· Popular Music History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affunlabeled
Diplomatic Notes
Graham Carr
2004· article· en· Popular Music History· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations

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