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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Musicology and Musical Analysis
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Abstract
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,833 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,833 works in the cohort · of 4,299,418page 4 of 37

Labels cover 1 of 1,833 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,833 of 1,833 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

aboutno affunlabeled
Venanzio Rauzzini in Britain
Paul F. Rice
2015· book· en· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
affvenueaboutunlabeled
The Naked Voice
Helen Pridmore
2012· article· en· The Brock Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
affunlabeled
Chasing the Phantom
Michael Tenzer
2018· article· en· Music Theory Online· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
affunlabeled
Opera Singing and Fictional Truth
Nina Penner
2013· article· en· Journal of Aesthetics and Art Criticism· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
venueno affunlabeled
The Unexpectedness of Jim Pepper
John-Carlos Perea
2012· article· en· MUSICultures· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
venueno affno abstractunlabeled
The Philosophy of Improvisation
Martin Lussier
2011· article· fr· Critical Studies in Improvisation / Études critiques en improvisation· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
venueno affunlabeled
Octatonicism and Chromatic Harmony
Jean-Michel Boulay
2013· article· en· Canadian University Music Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
3
citations
affunlabeled
Transformation in Post-Tonal Music
John Roeder
2014· book-chapter· en· Oxford University Press eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
affno abstractunlabeled
Mozart, metaphor and math
David Scott
2000· article· en· International Journal of Hydrogen Energy· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
venueno affno abstractunlabeled
Marpeck: A Life of Dissent and Conformity
Charles A. Snyder
2009· article· en· Journal of Mennonite studies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
affunlabeled
Traduire Rimbaud en allemand
Hermann H. Wetzel
2021· article· fr· Revue italienne d’études françaises· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
venueaboutno affunlabeled
Beijing Opera in Canada
Catherine Hernandez
2002· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
2
citations
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How this was built: Screen · Findings · About