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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Revista Canadiense de Estudios Hispánicos
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

873 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
873 works in the cohort · of 4,299,418page 13 of 18

Labels cover 1 of 873 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 873 of 873 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affno abstractunlabeled
How the Baroque Learned to Speak Spanish
Allen Yonug
2014· article· es· Revista Canadiense de Estudios Hispánicos· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Introducción: Charlando con Mario J. Valdés
Martha Nandorfy, Elizabeth Monasterios
2001· article· es· Revista Canadiense de Estudios Hispánicos· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Note on Zola and Galdós: 1883-1887
Rodolfo Cardona
2008· article· es· Revista Canadiense de Estudios Hispánicos· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
César Tiempo: mímica y profecía
Naomi Lindstrom
2012· article· es· Revista Canadiense de Estudios Hispánicos· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Ramos Sucre o el sacrificio de la página
Juan Cristóbal Castro
2010· article· es· Revista Canadiense de Estudios Hispánicos· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Our Baroque confection
Evonne Levy, Jens Baumgarten
2008· article· es· Revista Canadiense de Estudios Hispánicos· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
La novela corta durante el franquismo
Alberto Sánchez Álvarez-Insúa
2011· article· es· Revista Canadiense de Estudios Hispánicos· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Celebrating the Celebration
Ricardo da Silveira Lobo Sternberg
2001· article· en· Revista Canadiense de Estudios Hispánicos· Medicine
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Che, también hombre de letras
Keith Ellis
2000· article· es· Revista Canadiense de Estudios Hispánicos· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Sor Juana o las trampas de la restitución
Rosa Sarabia
2002· article· en· Revista Canadiense de Estudios Hispánicos· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About